Skip to main content

This is Richard.


Richard Egarr brings a joyful sense of adventure and a keen, enquiring mind to all his music-making – whether conducting, directing from the keyboard, giving recitals, playing chamber-music, and indeed talking about music at every opportunity.

Egarr joined Philharmonia Baroque Orchestra and Chorale as Music Director in August 2020, having been Music Director of the Academy of Ancient Music for 15 years.  He is also Principal Guest of the Residentie Orkest and Artistic Partner of the St Paul Chamber and was Associate Artist with the Scottish Chamber 2011-2017.

Egarr straddles the worlds of historically-informed and modern symphonic performance and has conducted many leading symphony orchestras, notably the London Symphony, Royal Concertgebouw and Philadelphia orchestras.  In 23/24 his guest conducting includes Haydn’s Creation with Gothenburg Symphony, Schumann 2 with the City of Birmingham Symphony, Bach B minor Mass with the Scottish Chamber, also Handel’s Messiah and a CD of French repertoire with the Orquesta Sinfonica Castilla y Leon, and play-directing Haydn’s Piano Concerto with Swedish Chamber. He conducts repertoire ranging from Gabrieli to Schubert 9 to Tippett and Ives with St Paul Chamber, and Bach’s St Matthew Passion and Beethoven 9 with the Residentie Orkest.  With Philharmonia Baroque, plans include Beethoven’s Symphony No. 3 and works by Errollyn Wallen and Tarik O’Regan alongside core baroque repertoire.

As half of Duo Pleyel, Egarr regularly plays four-hands repertoire with his wife Alexandra Nepomnyashchaya; they have released 3 acclaimed albums on Linn – Mozart/JC Bach, Dussek and Schubert – with a Beethoven disc due for release in 2023. Egarr regularly gives solo harpsichord recitals at the Wigmore Hall and Carnegie Hall; his extensive discography on Harmonia Mundi includes solo keyboard works by Bach, Handel, Mozart and Couperin, and latterly discs for Linn Records of Byrd and Sweelinck. 

Egarr’s long list of recordings with the Academy of Ancient Music includes several award-winning Handel discs (2007 Gramophone Award, 2009 MIDEM and Edison awards) and both JS Bach’s Passions. His world premiere recording on AAM Records of Dussek’s Messe Solemnelle won the Gramophone Best Choral Recording 2021.  

Egarr trained as a choirboy at York Minster, at Chetham’s School of Music in Manchester, and as organ scholar at Clare College Cambridge. His studies with Gustav and Marie Leonhardt further inspired his work in the field of historical performance. He taught for many years at the Amsterdam Conservatoire and was Visiting Professor at the Juilliard School for over 10 years.

Playing with lucid and liquid technique, interpretive verve, and rhythmic acuity, the soloist/conductor steered the way with authority and allure…Egarr can make the harpsichord sing sweetly and growl, fret, muse, and even thunder a little. PBO audiences are getting a keyboard master in their new music director.

San Francisco Classical VoiceFebruary 2020

[The] beautiful rendition was down to Egarr’s firm direction, avoiding any whiff of pious sentimentality…Egarr is an inspired interpreter.

Süddeutsche ZeitungJanuary 2020

Performed with compelling conviction...Outstanding…Egarr and his responsive forces barely put a foot wrong.

GramophoneNovember 2019

Egarr gave a performance that was absolutely breathtaking.

Classical SourceJuly 2018

There's always a bouncy exuberance...when conductor Richard Egarr comes to town, and this concert was no exception…subversive brilliance…impressive crispness and precision.

The ScotsmanApril 2018

Egarr showed why he is celebrated: he is a motivator, an instigator and yet always a collaborator. He is clearly a man who loves musical adventures.

NDR.comJune 2018

Egarr...heightened every moment of drama and evoked a sense of magic.

Financial TimesOctober 2017