Beethoven’s enduring masterworks emerge new and fresh when played upon the instruments for which they were conceived. Hear Harvard professor of musicology and fortepianist, Robert Levin, interpret the Concerto for Fortepiano No. 3 with the orchestra. Then experience the kaleidoscopic view of Beethoven’s musical landscape inspired by his country strolls in the “Pastoral” symphony.
Concerto for Fortepiano No. 3
Symphony No. 6 “Pastoral”
Nicholas McGegan, conductor
Robert Levin, fortepiano
Purchase Single Tickets
(Tickets for Sunday, October 16 and Saturday, October 22 are currently not available.)
Green Music Center, Rohnert Park[/vcex_button]
Bing Concert Hall, Stanford[/vcex_button]
Herbst Theatre, San Francisco[/vcex_button]
Harris Center, Folsom[/vcex_button]
About Robert Levin
Pianist and Conductor Robert Levin has been heard throughout the United States, Europe, Australia and Asia. His solo engagements include the orchestras of Atlanta, Berlin, Birmingham, Boston, Chicago, Cleveland, Detroit, Los Angeles, Montreal, Utah and Vienna on the Steinway with such conductors as Semyon Bychkov, James Conlon, Bernard Haitink, Sir Neville Marriner, Seiji Ozawa, Sir Simon Rattle and Esa-Pekka Salonen. On period pianos he has appeared with the Academy of Ancient Music, English Baroque Soloists, Handel & Haydn Society, Orchestra of the Age of Enlightenment and the Orchestre Révolutionnaire et Romantique, with Sir John Eliot Gardiner, Christopher Hogwood, Sir Charles Mackerras, Nicholas McGegan, and Sir Roger Norrington.
Renowned for his improvised embellishments and cadenzas in Classical period repertoire, Robert Levin has made recordings for DG Archiv, CRI, Decca, Deutsche Grammophon, Deutsche Harmonia Mundi, ECM, New York Philomusica, Nonesuch, Philips and SONY Classical. These include a Mozart concerto cycle for Decca; a Beethoven concerto cycle for DG Archiv (including the world premiere recording of Beethoven’s arrangement of the Fourth Concerto for piano and string quintet); and the complete Bach harpsichord concertos with Helmuth Rilling, as well as the six English Suites (on piano) and both books of the Well-Tempered Clavier (on five keyboard instruments) as part of Hänssler’s 172-CD Edition Bachakademie. The first recording in a Mozart piano sonata cycle has also been released by Deutsche Harmonia Mundi.
A passionate advocate of new music, Robert Levin has commissioned and premiered a large number of works. He is a renowned chamber musician and a noted theorist and musicologist. His completions of Mozart fragments are published by Bärenreiter, Breitkopf & Härtel, Carus, Peters, and Wiener Urtext Edition, and recorded and performed throughout the world.