Meet the Soloists – Handel’s The Power of Music BlogFront Page Features Meet the Soloists – Handel’s The Power of Music The three soloists in our Handel's The Power of Music season-opening concerts all have impressive…Philharmonia10/21/2026
Revisiting Handel’s Time in Ireland BlogFront Page Features Revisiting Handel’s Time in Ireland When Handel set sail for Dublin in 1741, professional setbacks and financial pressures had taken…Philharmonia10/21/2026
Handel’s The Power of Music Program Notes BlogFront Page Features Handel’s The Power of Music Program Notes George Frideric Handel (1685–1759)Alexander’s Feast, or The Power of Musick, HWV 75 (Dublin Version, 1742)…Scott Foglesong10/15/2026
8 Things to Know About Handel’s The Power of Music BlogFront Page Features 8 Things to Know About Handel’s The Power of Music This November, Philharmonia Baroque Orchestra & Chorale opens the 2026/27 season with Handel's The Power…Philharmonia10/08/2026
Peter Whelan Talks to BBC Radio 3 About Handel’s Alexander’s Feast BlogFront Page Features Peter Whelan Talks to BBC Radio 3 About Handel’s Alexander’s Feast This is a lightly edited transcript of a BBC Radio 3 interview which aired a…Philharmonia10/08/2026
Meet Music Director Peter Whelan BlogFront Page Features Meet Music Director Peter Whelan 1. Tell us a little about yourself. Are you from a musical family? Music Director…Philharmonia07/07/2026
Identity After Collapse – By Director James Darrah Black BlogFront Page Features Identity After Collapse – By Director James Darrah Black By Director James Darrah Black Director James Darrah Black Handel’s Tolomeo, re d’Egitto begins in…Philharmonia07/07/2026
6 Fascinating Things to Know About Handel’s Tolomeo BlogFront Page Features 6 Fascinating Things to Know About Handel’s Tolomeo You may know Handel through works like Messiah, Water Music, or Music for the Royal…Philharmonia07/01/2026
Handel’s Tolomeo Program Notes BlogFront Page Features Handel’s Tolomeo Program Notes By Scott Foglesong George Frideric Handel (1685–1759) Tolomeo (1728) Portrait of Handel (1726–1728), painted by…Scott Foglesong07/01/2026
Mozart or Mendelssohn? BlogFront Page Features Mozart or Mendelssohn? A child prodigy. A virtuoso performer with a talented older sibling. A composer who dazzled…Philharmonia04/14/2026
Part 5 – Kinks and Quirks (1803, age 85) BlogElizabeth Carter DiariesFront Page Features Part 5 – Kinks and Quirks (1803, age 85) The King’s Theatre in Haymarket, London — May 18, 1803 The King's Theatre, Haymarket; watercolour…Theresa Madeira04/06/2026
The C.P.E. Bach Effect – Program Note by Shunske Sato BlogFront Page Features The C.P.E. Bach Effect – Program Note by Shunske Sato By Shunske Sato Violinist and season finale concert leader Shunske Sato traces the influence of…Philharmonia04/06/2026
Kinks and Quirks Program Notes BlogFront Page Features Kinks and Quirks Program Notes By Scott Foglesong Carl Philipp Emanuel Bach (1714–1788) Symphony No. 3 in F major, Wq.…Scott Foglesong03/24/2026
Seven Concert Spirituals for Countertenor and Baroque Orchestra BlogFront Page Features Seven Concert Spirituals for Countertenor and Baroque Orchestra Pearls of Sorrow features seven spirituals, commissioned by Philharmonia Baroque Orchestra & Chorale and thoughtfully…Philharmonia02/26/2026
Pearls of Sorrow Program Notes BlogFront Page Features Pearls of Sorrow Program Notes By Scott Foglesong Sorrow. No life is so happy that it doesn’t have its share…Scott Foglesong02/17/2026
Part 4 – Pearls of Sorrow (1759, age 42) BlogElizabeth Carter DiariesFront Page Features Part 4 – Pearls of Sorrow (1759, age 42) At the Home of Elizabeth Montagu in Mayfair, London - March 1759 Elizabeth Carter as…Theresa Madeira02/12/2026
The Voice Behind Pearls of Sorrow: Reggie Mobley on Its Deeper Meaning BlogFront Page Features The Voice Behind Pearls of Sorrow: Reggie Mobley on Its Deeper Meaning Praised as “a voice of effortless beauty” by The New York Times, countertenor Reginald (“Reggie”)…Philharmonia02/11/2026
Part 3 – Baroque Garlands (1744, age 27) BlogElizabeth Carter DiariesFront Page Features Part 3 – Baroque Garlands (1744, age 27) Hickford’s Long Room, London — February 1744 Elizabeth Carter as Minerva by John Fayram, circa…Theresa Madeira01/19/2026
Baroque Garlands Program Notes BlogFront Page Features Baroque Garlands Program Notes By Scott Foglesong George Frideric Handel (1685–1759): Dixit Dominus, HWV 232 (1707)Jean-Philippe Rameau (1683–1764): La…Scott Foglesong01/19/2026
5 Reasons to Love Handel’s Dixit Dominus BlogFront Page Features 5 Reasons to Love Handel’s Dixit Dominus Before Messiah, before London, before the Hallelujah Chorus, there was Dixit Dominus. Written in Italy…Philharmonia01/05/2026